I recently wrote a post on the urban fantasy genre and how it can be a lot trickier to work the paranormal into the real world and have it be believable than most people think. The true mark of understanding in the genre is when you can read a book set in our world and have critters like vampires and werewolves make sense in the context of the story.
Of course, vampires would work with the Defense Intelligence Agency. If any government group is going to know about vampires, it’s DIA. That’s exactly the kind of thing they’d find out about and vampires, justifiably, would be leery of working with them.
It’s the little details like those that can make a good urban fantasy story pop. Lori’s smoking – she’s dead, after all, it’s not like she’s going to get cancer – and drinking, the fact that she’s not 100% on board with being a vampire, and her moral flexibility all add to the gritty realism of a world where vampires are real, werewolves are real, and at least part of the government knows about it.
I guess that’s one of the things that doesn’t ring true about a lot of stories where vampires are running around doing vampire things and absolutely no one knows about it. It would only take a handful of people being drained of blood before even the most jaded cop would wonder if the stories were true.
So that’s the world of Prey Till The End, S.L. Eaves’s latest brilliant mix of urban fantasy, thriller, and horror story. I reviewed Dead And Damaged a little over a year ago and found it a cracking good story about how vampires and werewolves would be excellent fodder for any number of secret groups that would absolutely love to use that kind of genetic material to make super soldiers.
In Prey Till The End Lori, our protagonist from the previous book, finds herself stuck between an alpha werewolf who wants violent revenge, a rogue group of vampires doing nasty vampire stuff, and the purebloods that will kill every vampire if the rogues aren’t stopped.
Through her eyes, we see a world that looks and smells real. It’s soaked in booze and reeks of cigarettes, the coppery scent of blood, and the musky smell of werewolves. S.L. brands Prey Till The End as the final installment in the Endangered Series. Maybe that’s the case, and I can certainly understand the desire to move onto other things, but I’d like to see more of Lori’s life (death, she’s a vampire) in the future, even if it doesn’t follow on with the theme of the rest of the stories.
This is a really good, just like the previous one, and it’s nice to see someone taking classic monsters – vampires and werewolves – and doing more than making soft-core erotica with them. S.L. has created a great twist on the traditions and not only brought those creatures into our world, but managed to make the fantastic seem real without feeling mundane.
If you like action tinged with horror and topped with a thriller cherry, check these books out. They’re great and great fun.
The 3rd installment brings the The Endangered Series to a gripping conclusion that will keep you on the edge of your seat till the last page.
Seven years have passed since Lori exiled herself from her clan. Seven years without bloodshed, without demons, without torture, without premonitions. Seven years of peace and quiet in the civilian life she’s cultivated for herself.
Seven boring years.
Then Vega appears at her doorstep with alarming news: a former member of his clan is responsible for the recent string of homicides across the southwest and the Purebloods are holding her clan responsible. To make matters worse, this traitor is working with an enemy from Lori’s past who is hell bent on revenge.
Now she’s faced with returning to the world she’s tried so hard to escape in order to save the only family she has left. Lori finds unlikely allies in a slayer and a werewolf hybrid, both survivors of S&D Pharma’s experiments. Together they fight to stop the vampire’s killing spree and absolve her clan from the Pureblood’s wrath. That’s if a ghost from her past doesn’t succeed in stopping her first.