One of Orwell’s key ideas in 1984 was the notion that language shaped thought. It wasn’t an altogether outlandish idea, even if he used it in sinister and double plus ungood ways. We need words for our brains to conceptualize things and explain them to other people. Without arguing the efficacy of communication or whether the intended meaning is delivered along with the rest of the message, it’s easy to understand how the languages we use can shape the way we think. Even Abbot’s Flatland touched on this idea when one of his characters was trying to describe the concept of “up” to a group of two-dimensional beings.
As I recall, Abbot’s character got locked up for the heresy of discussing extra dimensions beyond the required two.
Language is at the heart of Paul Jessup’s Close Your Eyes – a collection of two novellas and one short story stitched together into a novel. Each bit has its own flow, but they all work together to tell one meta story.
Jessup uses language as both the crux of the story where language is a virus and he uses language like a surgeon wields a scalpel as he weaves together the tale of a ship adrift in an ocean of stars. In the course of their adventures they stumble across a particularly virulent strain of language that rends sanity in twain. It would seem that even in a world of automatons made of wax and hyper-intelligent ship’s computers, the bug that strikes people down was something no one expected: Language.
It’s a unique way of dealing with diseases. The language in question is almost like a computer virus that infects, propagates, and ultimately consumes its victim’s minds. The novel alludes to the fact that the language has already decimated entire planets.
Jessup has his own style of writing that is unique in all the books I’ve read. At times it’s punchy, direct, and almost Spartan in its usage, at other times it flows with the symmetry of poetry. As if his concept of linguistic viruses wasn’t enough, he uses language to great effect to heighten the more surreal aspects of his world.
Think of Close Your Eyes as sci-fi with a purpose. It would be easy to say the ship’s AI is reminiscent of HAL from 2001 or the linguistic virus as similar to Stephenson’s Snow Crash, but Close Your Eyes goes in different directions. Even if the idea that there is nothing new under the sun is true, that doesn’t mean existing things can’t be rearranged into new and exciting things.
All in all, a good read.
“Language is a virus. Open this book. Read the words. Feel them infect you. Identity is a disease. Flip the pages. Stay up all night. Watch it transform you. You cannot deny it. You cannot close your eyes and shut out the changes. You know you want to. You really want to. But it’s too late. You can’t.
Critically acclaimed author of weird fiction Paul Jessup sends puppets to speak and fight for their masters. Welcome to a far future universe that stretches the imagination to breaking, where a ragtag crew of post-human scavengers rage and love on a small ship in the outer reaches of space, and moon-sized asylums trap the unwary in a labyrinth of experimentation in both identity and sanity.
Welcome to Close Your Eyes, a mind expanding surrealistic space opera that not only includes the out-of-print classic Open Your Eyes, but takes it to whole new level in a much awaited sequel.
Go ahead. Pick it up. Read it. Let it infect you.”