Way back in ’93 Groundhog Day dropped Bill Murray’s single-handed show-stopping mania into American moviegoers’ laps. About eleven years later a Japanese author named Hiroshi Sakurazaka dropped a book called All You Need Is Kill. All You Need Is Kill was appropriated by Hollywood and turned into Edge Of Tomorrow which was a good – if underappreciated movie – that was saddled with a really unfortunate name. Not that All You Need Is Kill is a spectacular title, especially compared to the simple punch of Groundhog Day.
So, what do Bill Murray, groundhogs, Japanese novels, and American sci-fi have in common? They all center around the idea of a time loop. Bill Murray relives the same Groundhog Day 38 times, although the director says he lived the same day over and over for ten years. All You Need Is Kill‘s protagonist loops through the same set of days over and over again, dozens or hundreds of times. The prime difference between the two is Bill Murray wakes up each morning to Sonny and Cher and All You Need Is Kill‘s Keiji Kiriya restarts each time he dies.
D.N. Erikson’s Lightning Blade follows a similar pattern. Not that Lightning Blade is necessarily derivative of either Groundhog Day or All You Need Is Kill, it just makes use of a time loop, which is a pretty clever thing to do in an urban fantasy story. At least, I’ve never seen it done before.
Here’s the thing about time loops: They can get boring if they’re not handled well. Groundhog Day could have been the least interesting movie on the planet – right up there with Ishtar – if it wasn’t handled well. Ditto with All You Need Is Kill. If you’ve got the same character going through the same thing over and over, it can get ridiculously tedious. In other words, writing a time loop story isn’t for the faint of heart.
Fortunately, Erikson handles the time loop with a good deal of flair. Lightning Blade is told from the point of view of Ruby Callaway, a less-than-savory bounty hunter living out her days in a Tuscon penitentiary where she’s been imprisoned for a variety of crimes including having and using essence – the world’s version of magic. Ruby gets caught up in hunting down a necromancer who’s become a terrorist. Unbeknownst to Ruby and her FBI partner, the necromancer has dropped them both into a time loop where he’s been hiding out and getting stronger. Every time Ruby dies, the loop resets and she has to start all over again.
Each time Ruby gets re-looped, she remembers even though the rest of the characters are reset back to zero. Since she knows what’s coming, Ruby has to try new things to get her story back on track. Each of the loops gets us closer and closer to the endgame, which is just as much a surprise as everything else that comes before it. That’s what makes a good time-loop book.
For fans of Kate Daniels and The Dresden Files comes a new breed of urban fantasy heroine.
One who might not survive an endless day.
When the FBI releases supernatural bounty hunter Ruby Callaway after 20 years, the terms are simple: put down the necromancer killing public officials in return for amnesty. But then the necromancer plunges a blade through her heart, and Ruby reawakens at midnight, back in jail. Alive.
Which means one thing: the necromancer has thrust the world into an endless time loop that only he and Ruby can see. And Ruby is the only one capable of stopping him before the world burns. But as she unravels the necromancer’s sinister plan, two questions repeat in Ruby’s mind: Just how dangerous is a vengeful serial killer with nothing but time?
And what if the necromancer isn’t the worst thing lurking in the shadows of this brave new world?
Lightning Blade is the first book in the Ruby Callaway Trilogy, mixing dark, gritty urban fantasy with a sprinkling of futuristic sci-fi & cyberpunk. Not your typical bounty hunter. Not your typical urban fantasy.
All in all, Lightning Blade is a fun read with well-handled time loop that takes its time to explain the nuances of the world Ruby lives in. As a bonus, it’s available for less than a buck now.
Get it on Amazon
Check out Erikson’s website