A little-known fact about me: I have a minor in Theatre. That’s with the re not the er because theater is different from Theatre. One’s a place, the other’s a much larger things. Among other classes I took, one was set design. Our teacher once sat everyone down and said, “Look, there’s a lot more to good set design than just following the play directly. If you want to set ‘A Midsummer Night’s Dream’ in the tropics and have palm trees on stage and make Theseus a ganja-smoking Jamaican gangster, you can do that. Just don’t let the scenery upstage the story.”
Bottom line, a good story is a good story no matter where it’s set.
Take, for instance, B.K. Bass’s take on detective noir that he’s dropped into a cyberpunk-ish setting. Traditional hard-boiled detective stories were a thing back in the day and they wove tales about vicious crimes and the die-hard detectives that set out to solve them. Those tales are still being told today – look at stories like L.A. Confidential. It’s a genre that seems simple to do from the outside. Bad guy does bad things. Good guy sets out to stop them. Simple, really. But to do it well takes a deft hand and an ability to drop oneself into that world to write it well. It’s not a genre for pulling punches or writing feel-good tales. Bad things are happening and they need to be treated with the shot of whisky and punch in the gut they deserve.
It’s also a genre that opens itself nicely to fit into whatever world we decide to drop them into. Because, if there’s one thing humans are really good at, it’s being bastards to each other. It doesn’t matter the time or the place, you can rest assured someone is out there right now pulling the ultimate dick move on someone else.
And that’s why Night Shift made for a fun read. Bass has pulled the hard-boiled detective out of the past and present and dropped him head-first into an ugly future where the country has fallen apart. But for all the technology floating around in the story, human nature is still human nature and there are still bad people doing terrible things. It’s just the way the world works. There are still jerks, they just have better computers. And cyber-hookers.
While Bass may not have given us a ganja-smoking Jamaican gangster, he’s done something similar; he’s taken a good story and changed the set pieces. And, like any good set designer, he’s done so without falling into the trap of letting the setting drive the story. Night Shift lives and breathes in its setting without the setting becoming a major character.
If you like hard-boiled detective stories – and who doesn’t – and also like your sci-fi served up with heaping helping people still being jerks to each other, check out Night Shift. It’s a good read. My only gripe was the book is only part one of a three-part story. That means I need to wait to see how the whole thing is going to play out.
In New Angeles, crime is part of the daily business of running the city. But when a routine murder investigation starts turning up more questions than answers, homicide detective Harold Peterson finds himself unraveling a decades-old conspiracy that leads him to the highest echelons of the mob and the city government. As various threads start to come together, the big picture is revealed to be more than he ever bargained for. As bullets start to fly from both directions, the only thing Harold knows for sure is that he isn’t being paid enough to deal with this.
Check out B.K.’s website
Check out Kyanite Publishing selection of fine works.